One of the great perks of having my studio in Harlem is the size. I have ample room to comfortably paint on large-scale, store all my supplies and ever-growing art library, and display my latest work. The space also provides the chance for me to have a number of visitors over at one time.
The idea of the studio being a place of creative autonomy for the artist never appealed to me. I enjoy having people over to view and experience my paintings first hand in an atmosphere that is welcoming and very relaxed. Wine and music always helps.
On recent evenings, I have had a number of people up to create what can best be described as a kind of soirée. My guests come from various backgrounds that range from arts and music to science and business. It is really exciting for me to see my studio be transformed into a meeting ground for diverse groups of people to socialize, talk about whatever is on their mind, and have a good time. And I like the idea that my paintings act as a backdrop to the scene.
The roster from a memorable night gives an idea of how eclectic these gatherings have become. All in the studio on this one particular evening were David Rind, Nobel Prize Winner and Al Gore’s Advisor on Global Warming, Harry Allen, esteemed jazz tenor saxophone player, Gerd Stern, celebrated poet, media artist, and organizer of Woodstock ’69, Dustin Bookatz, member of breakout Australian band WIM, and Tony Harnell, lead singer of the band TNT.
Only in New York City is it possible to bring together such interesting people all at once. I honestly felt like I was in a story set here during the 1920s when every night was a surprise and involved a new cast of colorful characters. Just one of the many reasons why I love this city. And it looks like these studio soirées are going to be a common thing. Stay tuned to see who drops by.